Heyer & R.C.Norton.( La Salle IL: Open Court 1987) Johann Joachim Winckelmann. Complete German text (1756) and English translation by E. KS p.218 ff Anmerkungenüber die Geschichte der kunst KS p.247 Der Teutsche Merkur (year, quarter, page) facsimile copies obtained from diglib/aufklaerung/ Johann Joachim Winckelmann, Reflections on the imitation of Greek works in Painting and Sculpture. 183Ībhandlung von der Fähigkeit der Empfindung des Schönen.
149 Winckelmann’s Profound Limitation 4.1 His Narrow Perception of ‘Art’ 4.2 Aesthetic Education – An Illusion? 4.3 Enigmas and Textual Contradictions Chapter Five. 97 Narratives on Sculpture: Five Case-Studies 3.1 The Apollo Belvedere 3.2 The Niobe Group 3.3 The Belvedere Antinous 3.4 The Laocoön Group 3.5 The Hercules Torso Chapter Four. 23 A Prelude to German Classicism 2.1 ‘Hellenism’ - A German Utopia 2.2 ‘Ideal Beauty’ – The Essence of Art? 2.3 Winckelmann’s Contribution to the German Language 2.4 Eroticism and Ambiguity Chapter Three.
7 Winckelmann’s Path to Recognition Chapter Two. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. Winckelmann’s “Philosophy of Art”: A Prelude to German Classicism, by John Harry North This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UKīritish Library Cataloguing in Publication Data A catalogue record for this book is available from the British LibraryĬopyright © 2012 by John Harry North All rights for this book reserved. Winckelmann’s “Philosophy of Art”: A Prelude to German Classicism
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